cleofriskey 0 Report post Posted January 24, 2011 In Detective Conan Movie 12: Full Score of Fear, at the very end, Ran says that Shinchi has a strange habit when he plays. Does anyone know what that is? Did I totally miss it? Please help! Thanks. Quote Share this post Link to post Share on other sites
tengaku squared 291 Report post Posted January 24, 2011 Shinichi tries to figure that out...but no, it is never stated. Quote Share this post Link to post Share on other sites
Xcommando 0 Report post Posted January 24, 2011 Shinichi tries to figure that out...but no, it is never stated. I never understood it either. Quote Share this post Link to post Share on other sites
tengaku squared 291 Report post Posted January 24, 2011 My idea is something about his playing, because Ran never saw Conan playing Amazing Grace. She heard him. Quote Share this post Link to post Share on other sites
cleofriskey 0 Report post Posted January 24, 2011 Weird.... Quote Share this post Link to post Share on other sites
Denz001 1 Report post Posted March 29, 2011 well the strange habit is he adds a note after every 3 notes.... foe ex.. the chords are d e g/( d )b... he adds a NOTE get it? Quote Share this post Link to post Share on other sites
hopes 237 Report post Posted April 1, 2011 I think that they're just saying that Ran can recognize Shinichi's playing anywhere because of that strange way. Quote Share this post Link to post Share on other sites
tengaku squared 291 Report post Posted April 1, 2011 well the strange habit is he adds a note after every 3 notes.... foe ex.. the chords are d e g/( d )b... he adds a NOTE get it? Umm...I just looked over the ending, and I think that you are wrong. I think your ears are picking up the long notes and registering them twice. Quote Share this post Link to post Share on other sites
tengaku squared 291 Report post Posted April 1, 2011 (edited) EDIT: DOUBLE POSTED. SORRY. Edited April 1, 2011 by Mohorovicic Quote Share this post Link to post Share on other sites
Kaito19 0 Report post Posted August 6, 2021 I believe Shinichi’s weird habit is that he uses glissando, where you “slide” from one musical note to the next. This is heard going from the last of the three “faster” notes (the G in the B A G triplets, labeled below in brackets) to the following “landing” note (B half note): D -> G -> G -> [B -> A -> G] -> B If you listen carefully to Reiko’s version of Amazing Grace and the flute+piano version, you’ll find that there’s no “sliding” between the G and B notes; you hear each of those two notes clearly, like in steps. *String players and/or others knowledgeable in music theory, please correct me if the actual term should be “portamento” instead of “glissando”. I tried looking up the difference between the two but I’m not entirely sure which the appropriate term would be, particularly for violins. -that's what Shinichi-niisan would have said.... Quote Share this post Link to post Share on other sites
