Difference between revisions of "Father Brown"
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[[File:Detective 13.jpg|Father Brown|thumb]] | [[File:Detective 13.jpg|Father Brown|thumb]] | ||
{{hatnote|Main article: [[wikipedia:Father Brown|Father Brown]]}} | {{hatnote|Main article: [[wikipedia:Father Brown|Father Brown]]}} | ||
| − | '''{{nihongo|Father Brown}}''' is a fictional character, an amateur sleuth created in the early 1900s by English novelist G. K. Chesterton. He was the [[Detective Picture Book|featured detective]] for [[ | + | '''{{nihongo|Father Brown}}''' is a fictional character, an amateur sleuth created in the early 1900s by English novelist G. K. Chesterton (Gilbert Keith Chesterton). He was the [[Detective Picture Book|featured detective]] for [[volume 13]] of the ''[[Detective Conan]]'' manga. |
| − | |||
== About == | == About == | ||
| − | Father Brown is a short, stumpy Roman Catholic priest, "formerly of Cobhole in Essex, and now working in London", with shapeless clothes and a large umbrella, and an uncanny insight into human evil. He makes his first appearance in the story [[wikipedia:The Blue Cross (short story)|The Blue Cross]] and continues through the five volumes of short stories, often assisted by the reformed criminal M. Hercule Flambeau. Father Brown also appears in a story "The Donnington Affair" that has a curious history. In the October 1914 issue of the obscure magazine The Premier, Sir Max Pemberton published the first part of the story, inviting a number of detective story writers, including Chesterton, to use their talents to solve the mystery of the murder described. Chesterton and Father Brown's solution followed in the November issue. The story was first reprinted in the Chesterton Review (Winter 1981, pp. 1–35) and in the book Thirteen Detectives. | + | Father Brown is a short, stumpy Roman Catholic priest, "formerly of Cobhole in Essex, and now working in London", with shapeless clothes and a large umbrella, and an uncanny insight into human evil. He makes his first appearance in the story [[wikipedia:The Blue Cross (short story)|The Blue Cross]] from 1910 and continues through the five volumes of short stories, often assisted by the reformed criminal M. Hercule Flambeau. Father Brown also appears in a story "The Donnington Affair" that has a curious history. In the October 1914 issue of the obscure magazine The Premier, Sir Max Pemberton published the first part of the story, inviting a number of detective story writers, including Chesterton, to use their talents to solve the mystery of the murder described. Chesterton and Father Brown's solution followed in the November issue. The story was first reprinted in the Chesterton Review (Winter 1981, pp. 1–35) and in the book Thirteen Detectives. |
Unlike the more famous fictional detective [[Sherlock Holmes]], Father Brown's methods tend to be intuitive rather than deductive. He explains his method in "The Secret of Father Brown": "You see, I had murdered them all myself... I had planned out each of the crimes very carefully. I had thought out exactly how a thing like that could be done, and in what style or state of mind a man could really do it. And when I was quite sure that I felt exactly like the murderer myself, of course I knew who he was." | Unlike the more famous fictional detective [[Sherlock Holmes]], Father Brown's methods tend to be intuitive rather than deductive. He explains his method in "The Secret of Father Brown": "You see, I had murdered them all myself... I had planned out each of the crimes very carefully. I had thought out exactly how a thing like that could be done, and in what style or state of mind a man could really do it. And when I was quite sure that I felt exactly like the murderer myself, of course I knew who he was." | ||
| − | Brown's abilities are also considerably shaped by his experience as a priest and confessor. In "The Blue Cross", when asked by Flambeau, who has been masquerading as a priest, how he knew of all sorts of criminal "horrors," he responds, "Has it never struck you that a man who does next to nothing but hear men's real sins is not likely to be wholly unaware of human evil?" He also states a reason why he knew Flambeau was not a priest: "You attacked reason. It's bad theology." The stories normally contain a rational explanation of who the murderer was and how Brown worked it out. He always emphasises rationality; some stories, such as "The Miracle of Moon Crescent", "The Oracle of the Dog", "The Blast of the Book" and "The Dagger With Wings", poke fun at initially sceptical characters who become convinced of a supernatural explanation for some strange occurrence, while Father Brown easily sees the perfectly ordinary, natural explanation. In fact, he seems to represent an ideal of a devout, yet considerably educated and "civilised" clergyman. This can be traced to the influence of Roman Catholic thought on Chesterton. He is characteristically humble, and is usually rather quiet; when he does talk, he almost always says something profound. Although he tends to handle crimes with a steady, realistic approach, he believes in the supernatural as the greatest reason of all. | + | Brown's abilities are also considerably shaped by his experience as a priest and confessor. In "The Blue Cross", when asked by Flambeau, who has been masquerading as a priest, how he knew of all sorts of criminal "horrors," he responds, "Has it never struck you that a man who does next to nothing but hear men's real sins is not likely to be wholly unaware of human evil?" He also states a reason why he knew Flambeau was not a priest: "You attacked reason. It's bad theology." |
| + | |||
| + | The stories normally contain a rational explanation of who the murderer was and how Brown worked it out. He always emphasises rationality; some stories, such as "The Miracle of Moon Crescent", "The Oracle of the Dog", "The Blast of the Book" and "The Dagger With Wings", poke fun at initially sceptical characters who become convinced of a supernatural explanation for some strange occurrence, while Father Brown easily sees the perfectly ordinary, natural explanation. In fact, he seems to represent an ideal of a devout, yet considerably educated and "civilised" clergyman. This can be traced to the influence of Roman Catholic thought on Chesterton. He is characteristically humble, and is usually rather quiet; when he does talk, he almost always says something profound. Although he tends to handle crimes with a steady, realistic approach, he believes in the supernatural (i.e. God) as the greatest reason of all. | ||
| + | He was modeled after John O'Connor, a priest who converted Chesterton to Catholicism, although many of the stories were written before the author's conversion. | ||
== Allusions == | == Allusions == | ||
| + | In Detective Conan, many allusions have been made to Father Brown: | ||
| + | *[[Shintaro Chaki]], the superintendent of division 2 who's [[Ginzo Nakamori]]'s subordinate and who also appears in [[Magic Kaito]], whose name comes from father brown {{nihongo|[[Father Brown]]|'''ブラウン神'''父|'''Brown-shin'''pu}}. His name also contained {{lang|ja|茶}} (''cha''), the kanji for Brown which is also used to follow the pattern that is used on main characters of Magic Kaito: [[Aoko Nakamori]] having the kanji for blue ('''Ao'''ko), [[Akako Koizumi]] having the kanji for red ('''Aka'''ko), etc. | ||
| + | * [[The Truth Behind the Urban Legend]] has a background of Father Brown as the enemy of Sherlock Holmes is made. | ||
| + | * In [[The Shifting Mystery of Beika City]], the cafe Conan goes is named Brown Cafe, as a reference to the eponymous character. | ||
| + | * In [[Conan, Kid, and the Crystal Mother]] Conan employs the logic of Father Brown to deduce its location. “Where does a wise man hide a leaf? In the forest. But what does he do if there is no forest? He grows a forest to hide it in.” - a quote of Father Brown from "The Sign of the Broken Sword". | ||
| + | |||
| + | == Works == | ||
| + | There had been 49 stories involving Father Brown almost all of which were re-published in 5 volumes. | ||
| + | |||
| + | The two stories that weren't published in collections were: | ||
| + | * The Donnington Affair (1914) | ||
| + | * The Mask of Midas (1936) | ||
| + | {| class="wikitable" | ||
| + | ! Year || Collection Title || Short Stories | ||
| + | |- | ||
| + | | 1911 || Innocence of Father Brown || | ||
| + | #The Blue Cross | ||
| + | #The Secret Garden | ||
| + | #The Queer Feet | ||
| + | #The Flying Stars | ||
| + | #The Invisible Man | ||
| + | #The Honour of Israel Gow | ||
| + | #The Wrong Shape | ||
| + | #The Sins of Prince Saradine | ||
| + | #The Hammer of God | ||
| + | #The Eye of Apollo | ||
| + | #The Sign of the Broken Sword | ||
| + | #The Three Tools of Death | ||
| + | |- | ||
| + | | 1914 || The Wisdom of Father Brown || | ||
| + | #The Absence of Mr Glass | ||
| + | #The Paradise of Thieves | ||
| + | #The Duel of Dr Hirsch | ||
| + | #The Man in the Passage | ||
| + | #The Mistake of the Machine | ||
| + | #The Head of Caesar | ||
| + | #The Purple Wig | ||
| + | #The Perishing of the Pendragons | ||
| + | #The God of the Gongs | ||
| + | #The Salad of Colonel Cray | ||
| + | #The Strange Crime of John Boulnois | ||
| + | #The Fairy Tale of Father Brown | ||
| + | |- | ||
| + | | 1926 || The Incredulity of Father Brown || | ||
| + | #The Resurrection of Father Brown | ||
| + | #The Arrow of Heaven | ||
| + | #The Oracle of the Dog | ||
| + | #The Miracle of Moon Crescent | ||
| + | #The Curse of the Golden Cross | ||
| + | #The Dagger with Wings | ||
| + | #The Doom of the Darnaways | ||
| + | #The Ghost of Gideon Wise | ||
| + | |- | ||
| + | | 1927 || The Secret of Father Brown || | ||
| + | #The Secret of Father Brown (framing story) | ||
| + | #The Mirror of the Magistrate | ||
| + | #The Man with Two Beards | ||
| + | #The Song of the Flying Fish | ||
| + | #The Actor and the Alibi | ||
| + | #The Vanishing of Vaudrey | ||
| + | #The Worst Crime in the World | ||
| + | #The Red Moon of Meru | ||
| + | #The Chief Mourner of Marne | ||
| + | #The Secret of Flambeau (framing story) | ||
| + | |- | ||
| + | | 1935 || The Scandal of Father Brown || | ||
| + | #The Scandal of Father Brown | ||
| + | #The Quick One | ||
| + | #The Blast of the Book/The Five Fugitives | ||
| + | #The Green Man | ||
| + | #The Pursuit of Mr Blue | ||
| + | #The Crime of the Communist | ||
| + | #The Point of a Pin | ||
| + | #The Insoluble Problem | ||
| + | #The Vampire of the Village | ||
| + | |} | ||
| + | == See also == | ||
| + | * [[Detective Picture Book]] | ||
| − | |||
| − | |||
[[Category:Detective Picture Book|Father Brown]] | [[Category:Detective Picture Book|Father Brown]] | ||
[[de:Father Brown]] | [[de:Father Brown]] | ||
Latest revision as of 21:30, 10 December 2020
Father Brown is a fictional character, an amateur sleuth created in the early 1900s by English novelist G. K. Chesterton (Gilbert Keith Chesterton). He was the featured detective for volume 13 of the Detective Conan manga.
Contents
About
Father Brown is a short, stumpy Roman Catholic priest, "formerly of Cobhole in Essex, and now working in London", with shapeless clothes and a large umbrella, and an uncanny insight into human evil. He makes his first appearance in the story The Blue Cross from 1910 and continues through the five volumes of short stories, often assisted by the reformed criminal M. Hercule Flambeau. Father Brown also appears in a story "The Donnington Affair" that has a curious history. In the October 1914 issue of the obscure magazine The Premier, Sir Max Pemberton published the first part of the story, inviting a number of detective story writers, including Chesterton, to use their talents to solve the mystery of the murder described. Chesterton and Father Brown's solution followed in the November issue. The story was first reprinted in the Chesterton Review (Winter 1981, pp. 1–35) and in the book Thirteen Detectives.
Unlike the more famous fictional detective Sherlock Holmes, Father Brown's methods tend to be intuitive rather than deductive. He explains his method in "The Secret of Father Brown": "You see, I had murdered them all myself... I had planned out each of the crimes very carefully. I had thought out exactly how a thing like that could be done, and in what style or state of mind a man could really do it. And when I was quite sure that I felt exactly like the murderer myself, of course I knew who he was."
Brown's abilities are also considerably shaped by his experience as a priest and confessor. In "The Blue Cross", when asked by Flambeau, who has been masquerading as a priest, how he knew of all sorts of criminal "horrors," he responds, "Has it never struck you that a man who does next to nothing but hear men's real sins is not likely to be wholly unaware of human evil?" He also states a reason why he knew Flambeau was not a priest: "You attacked reason. It's bad theology."
The stories normally contain a rational explanation of who the murderer was and how Brown worked it out. He always emphasises rationality; some stories, such as "The Miracle of Moon Crescent", "The Oracle of the Dog", "The Blast of the Book" and "The Dagger With Wings", poke fun at initially sceptical characters who become convinced of a supernatural explanation for some strange occurrence, while Father Brown easily sees the perfectly ordinary, natural explanation. In fact, he seems to represent an ideal of a devout, yet considerably educated and "civilised" clergyman. This can be traced to the influence of Roman Catholic thought on Chesterton. He is characteristically humble, and is usually rather quiet; when he does talk, he almost always says something profound. Although he tends to handle crimes with a steady, realistic approach, he believes in the supernatural (i.e. God) as the greatest reason of all.
He was modeled after John O'Connor, a priest who converted Chesterton to Catholicism, although many of the stories were written before the author's conversion.
Allusions
In Detective Conan, many allusions have been made to Father Brown:
- Shintaro Chaki, the superintendent of division 2 who's Ginzo Nakamori's subordinate and who also appears in Magic Kaito, whose name comes from father brown Father Brown (ブラウン神父 Brown-shinpu). His name also contained 茶 (cha), the kanji for Brown which is also used to follow the pattern that is used on main characters of Magic Kaito: Aoko Nakamori having the kanji for blue (Aoko), Akako Koizumi having the kanji for red (Akako), etc.
- The Truth Behind the Urban Legend has a background of Father Brown as the enemy of Sherlock Holmes is made.
- In The Shifting Mystery of Beika City, the cafe Conan goes is named Brown Cafe, as a reference to the eponymous character.
- In Conan, Kid, and the Crystal Mother Conan employs the logic of Father Brown to deduce its location. “Where does a wise man hide a leaf? In the forest. But what does he do if there is no forest? He grows a forest to hide it in.” - a quote of Father Brown from "The Sign of the Broken Sword".
Works
There had been 49 stories involving Father Brown almost all of which were re-published in 5 volumes.
The two stories that weren't published in collections were:
- The Donnington Affair (1914)
- The Mask of Midas (1936)
| Year | Collection Title | Short Stories |
|---|---|---|
| 1911 | Innocence of Father Brown |
|
| 1914 | The Wisdom of Father Brown |
|
| 1926 | The Incredulity of Father Brown |
|
| 1927 | The Secret of Father Brown |
|
| 1935 | The Scandal of Father Brown |
|
